Tag Archives: artblog

Art Quiltlet: 48/52

"Resist" art quiltlet at amyhoodarts.com

This came out a little paler than I’d meant. I of course used a resist technique (glue batik). Every day something newly outrageous occurs (many things, in a usual day). It’s hard to keep up. It’s hard not to feel overwhelmed. I need to still be outraged, though. Complacency due to over-saturation can’t be the answer.

Art Quiltlet: 47/52

Art quiltlet at amyhoodarts.com

Playing a little catch up here! All of these were sewn in their respective weeks, I’ve just been behind in sharing them here. This one is purely practical; I bought a stitch-in-the-ditch foot and wanted to practice. Then I added some free-motion quilting because I hadn’t practiced that in a while. Fabric is my own hand-dyed.

Art Quiltlet: 46/52

Boxed in: PTSD art quiltlet at amyhoodarts.com

Boxed in: PTSD

I’m white, heterosexual, in a straight marriage, and not Muslim, and so relatively safe, for the moment, from what seems to be descending upon us all right now. But I don’t feel safe. I’ve written before about PTSD and also about how one candidate, now, amazingly, our President-elect, triggered the hell out of me. I know I’m not the only one. For me, it’s how he so strongly reminds me of someone who was psychologically and, at times, physically abusive. Misogyny, racism, lying, gaslighting. Now, this person is in charge of the country. I do not feel safe. PTSD symptoms are getting harder to manage. I know I’m not the only one. But that doesn’t make me feel better; it makes me feel worse. It’s hard to write about and I’m done trying for now. That’s why visual art exists too.

First Experiments with Dyeing

I am behind on everything, y’all. To make things more difficult, I ended up in the ER early Thursday morning with a UTI, because those typically hit me hard and fast. So I lost a day there and now I’m on heavy-duty antibiotics that make me feel almost as awful as doxycycline did when I was being treated for Lyme. I’d set aside Thursday for dyeing but that obviously didn’t happen, so I pushed through on Friday because otherwise I’d have had to wait a week for another free chunk of time. Ta-da! Here are the results.

hand-dyed value bundles at amyhoodarts.com

I decided my first experiments would be for a quilt for my daughter. She requested pink, green, and purple. I thought about how to vary the values (because we all know color gets the credit but value does the work, right?), and decided instead of varying it amongst the colors, I’d value it within each color. I used the recipe “value parfait” from Color by Accident, which I borrowed from my fiber arts guild library. Low-water immersion dyeing uses less water (at least for the dyeing part; rinsing and washing is still very water heavy), so the dye isn’t always taken up evenly. This allows for some texture and variation. The value parfait is kind of cool–you add fabric and soda ash at different intervals, so that there’s less dye available to be taken up by each successive piece of fabric. So you start with full-strength dye but naturally get a value gradation. Neat, isn’t it? I’m using just primaries, too, so the green and purple were mixed. My daughter is happy with these colors, and now I just need to decide upon a design. Also, I’m not sure I can bother making any quilts from now on unless I’ve dyed the fabric myself, help.

I began with ten yards of fabric, so for the final yard, I went for something specific for a project I have in mind. I actually could have split it up; I don’t need the full yard. But by that time I was tired and probably not thinking clearly (these meds, I’m telling you; awful).

gold hand-dyed fabric at amyhoodarts.com

This was dyed using mostly dark yellow dye, with a dash of red and blue and some light yellow drizzled on. This one was pretty cool to watch–the color changed dramatically once the soda ash hit it. I think there’s two ways to approach dyeing fabric. One is very perfectionist, using full-water immersion and testing mixtures, aiming for predictable results. The other is a little looser, with some “let’s see what happens” attitude. I think I may end up somewhere in the middle. I can’t wait to dye more, but I need more fabric and I need more time. As I said, I’m behind in so much right now!

I’m also wondering, because I can’t possibly use all the fabric I might want to dye, if there’s a market for selling my own hand-dyed fabric. Thoughts?

Art Quiltlet: 42/52

surface pattern art quiltlet at amyhoodarts.com

This was completed almost at deadline on Saturday because I’ve been so focused on sewing my daughter a pioneer outfit. But I did begin working on it earlier in the week, when I inexplicably received a free pen in the mail from some company that thinks I’m a company that might want to order pens. It came overly packaged in a plastic thing with bumps on it. I save things like that because they’re useful for printmaking. I decided to discharge with it first, though. I squirted bleach gel on top of all the bumps, lay a piece of fabric on top, and weighted it with glass. I left it while I did other things (sew on a pioneer dress, most likely), then rinsed out the bleach and let it dry. It’s hard to see in a photo, but the bleach created the yellowish circles.

I thought about leaving it that way, but then I decided to flip the plastic thing over and brayer it with red printmaking ink.

printing with found materials at amyhoodarts.com

That shows you what the mysterious plastic thing looks like! Plus you get a better look at the bleached areas. I liked all those triangles.

Once that dried, I decided to intersperse some solid areas and do some free-motion quilting, because I haven’t done any in a while and it seems like a skill that shouldn’t be allowed to get too rusty. It feels like I haven’t had time to get really in depth with these small pieces lately, but I try not to feel bad about that, as they’re first and foremost creativity boosters and play/experimentation time.

Art Quiltlet: 41/52

Pieces art quiltlet at amyhoodarts.com

“Pieces”

When I trim my quiltlets I accumulate a pile of skinny sandwich pieces. I often use them to test my free-motion settings before starting to stitch. When they get too full of test stitches, I get rid of them. Last week was a bit full, so on Friday I looked around my art table and gathered up the scraps I had (not many, actually), and zig-zag stitched them together to make a quiltlet. As I worked I thought I might layer something on top when I was done, but I liked it just as it was, so I left it. Some weeks you need something low key.

Art Quiltlet: 40/52

standing-tall-art-quiltlet

“Standing Tall”

The early part of this week was overloaded (October is beginning as it means to go on, apparently), so Thursday I stood at my art table wondering when and what to do for this week. I decided to use what was right in front of me–often an excellent way to get started–which happened to be some scraps of linen that were left over from trimming pocket panels. I started arranging them on the table in various ways, tried out a few different background colors, and settled on this arrangement against hand-dyed fabric that reminds me of a sky with clouds. I stitched in some grounding lines as well and decided this one is called “Standing Tall.”

I know. Last week’s was called “Fraying.” This is the sort of thing my subconscious does, okay?

Since we’ve hit another multiple of ten this week (only 12 more weeks to go in this year; hopefully it ends without ushering in the apocalypse and/or fall of democracy), it’s time to line up the last ten all together.

art quiltlets at amyhoodarts.com

Weeks 31 through 40

Do I have a style? I don’t even know. The only unifying characteristic I set myself for this project was size (and medium, of course). Other than that, I’ve been all over the place. Which was kind of the point. But I wonder if there is something in my artwork that fingerprints it as mine, or not. Just a thing I ponder as I continue exploring my own work, and other people’s.