Art Quiltlet: 22/52

locust art quilt at amyhoodarts.com

I’m feeling a little uninspired this week. I spent all last week taking care of a sick child, day and night, which reminded me why I had my babies early (goodness, I’m too old for sleep deprivation and full-time on-call duties). This culminated in a visit to the ER Friday night (a previous visit to the pediatrician being, ultimately, unhelpful) followed by an early morning car maintenance appointment on Saturday that had already been rescheduled once, so I got up and went. For part of the three-and-a-half hours that I was waiting, I sketched the leaves of the tree I was sitting under (thankfully I could wait outside, as it’s finally stopped raining every day). I’m pretty sure it was some sort of locust, although not having the entire tree in front of me anymore, I’m not sure what kind. So when I decided to practice my free-motion script along with free-motion sketch, I just wrote locust.

Sometimes when you are very tired and worn out, simple is best. So this week’s quiltlet, reflecting the energy drain that was last week, is simple.

My daughter is better now, and that exhausting month of May is over. June holds the end of school, a graduation, a dance recital, and two weeks of getting the eldest to his summer bridge program. But in between I hope to find some days to do absolutely nothing.

May Reading List

How to Treat Your Mom at amyhoodarts.com

Part of my daughter’s Mother’s Day gift to me.

May has been long. And tiring. And full of Mondays. But here we are on the very last day, school is almost over, my middle child has turned twelve, and here are the books I finished in May.

As Close to Us as Breathing, Elizabeth Poliner
Wabi-Sabi for Artists, Designers, Poets and Philosophers, Leonard Koren
The Color of Water: A Black Man’s Tribute to His White Mother, James McBride
Casting Lots: Creating a Family in a Beautiful, Broken World, Susan Silverman
The Mistress’s Daughter, A. M. Homes
Amy and Isabelle, Elizabeth Strout

Art Quiltlet: 21/52

art quiltlet at amyhoodarts.com

I am making so very much that doesn’t get posted here, although most of it gets shared on Instagram. This quiltlet uses another piece of gelli-plate-printed fabric from last Monday’s printing session. I wasn’t happy with the way this print turned out (that blue shadow around the plant is because I didn’t get enough of the paint off on the first print with paper), so I decided to use it as practice, filling in the space with free-motion pebbling. Here’s what it looked like before I cropped it.

leaf print + texture before cropping, amyhoodarts.com

I would do things differently. I’d eliminate the outline stitching and just use pebbling. I ended up with some billowing in some of the leaves. And I’d make a better print to start. But this is why I like these low-risk quiltlets. It’s built in that I’m learning things and/or figuring things out as I go. Sometimes you don’t know what you like until you do something you don’t like. Not that I don’t like this piece; I just think it could be improved.

The back looks pretty cool too.

back of art quiltlet, amyhoodarts.com

It’s got me thinking about what I can do with negative space….

Art Quiltlet: 20/52

leaf print art quiltlet at amyhoodarts.com

I bought myself a Gelli Plate because while I love gelatin plate printmaking, I don’t have a place to store them here. Our fridge is side-by-side and flat shelf space is hard to find. So I decided to try the Gelli Plate and I wasn’t disappointed. It’s a good option. Monday I picked some plants, gathered some textures, and had myself a little printmaking session using fabric. This quiltlet came from that.

I felt like sitting down and stitching by hand yesterday, so I did. It’s been a week of Mondays and I wanted that quiet soothing-ness that comes from handwork. The result is pretty subtle. Kind of calm. Just what I needed.

This is week 20. Twenty! For week 10 I shared a picture of the first ten all together, so here’s a photo of quiltlets 11-20.

art quiltlets 11-20 at amyhoodarts.com

I like the variety. I like that I’m trying new things. I like how some of them very much reflect the week in which they were made, and some reflect how I was feeling (ready to tackle a new technique? or needing a bit of a respite?). I definitely like that I haven’t missed a week yet.

Art Quiltlets: 18 + 19/52

Again with the double post! I’m making weekly, just didn’t get a chance to post last week. I was busy working on a larger piece, which is actually where last week’s quiltlet came from. At the end of the week I looked at all the scraps on my work table, pulled some out, and collaged an art quiltlet.

Scraps art quiltlet at amyhoodarts.com

That white fabric with black printing wasn’t even used in the larger piece, in the end, but it found its way here. This was pure play, and it’s fun how many of the same elements turned into something so different than the piece from which they originated.

This week, I carved a stamp inspired by a book I found on the library shelf while browsing, Art Deco Textiles. Then I used it to make this little quiltlet.

Lepidoptera art quiltlet at amyhoodarts.com

The quiltlet itself is very simple. I’ve been in a frenzy of creating/sewing the past several weeks and I think I needed a little simple. But I like its quietness. Also, I really like carving stamps and I’m getting lots of inspiration from that book.

And now I am caught up on posting the quiltlets! I can’t believe we’re almost to week 20 of 2016.

April Reading List

coasters at amyhoodarts.com

Some coasters I whipped up this weekend.

Happy May, I guess. It’s supposed to rain for a week. I know we need it, but…blech. I would have guessed I didn’t read all that much in April, since I sewed so much, but I ended the month with nine books read. As always, asterisks indicate a book I really really liked.

The Year of Living Danishly, by Helen Russel
The Liars’ Club, by Mary Karr *
The Little Red Chairs, by Edna O’Brien*
The Hours Count, by Jillian Cantor*
The Luckiest Girl Alive, by Jessica Knoll
The From-Aways, by CJ Hauser*
The Man of My Dreams, by Curtis Sittenfeld
Why We Write About Ourselves: Twenty Memoirists on Why They Expose Themselves (and others) in          the Name of Literature, ed by Meredith Maran
Nine Inches: Stories, by Tom Perrotta

Back to the sewing for me! And reading. Under a blanket. Sigh.

Art Quiltlet: 17/52

(This post is more personal than usual; it may not be your cup of tea. Fair warning.)

Because Love art quiltlet at amyhoodarts.com

The world has been chipping away at me this week, more than usual, it feels like. I “listened” via Twitter as Donald Trump held a rally in my former home state and used xenophobia and fear-mongering to whip up the crowd–and they complied, because that message has such strength right now. He then won all five states that had primaries on Tuesday, which includes my former state and the one I live in now. The UK voted against a proposal to allow in unaccompanied Syrian refugee children. People are boycotting Target over bathrooms. There are lots of problems with public bathrooms, but transgender usage isn’t one of them. My husband having to bring our daughter into a men’s room when they’re out together–that stinks. The way the women’s room always has a longer line–also a problem. (I’ve snuck into the men’s bathroom before.) But let’s focus on a made-up problem that has its root in hatred and fear. And then, the Baltimore Police Department shot a 13-year-old boy with a BB gun who was running away from two plainclothes police who got out of an unmarked car, and then they took his mother in for questioning after she saw her baby bloodied on the street, threw her into a cell for “belligerence,” and wouldn’t let her go to the hospital for hours, and then issued remarks that managed to blame both the boy and his mother for the whole thing. My heart.

I want, sometimes, to shut it all off, not let it in, focus on my own little life, but I can’t. Why? Because love. I made this quiltlet rather quickly, with the idea of mimicking black-out poetry. If I did it again, I’d make the cut-outs smaller. I may return to this idea in the future. Last night I needed to get it down, though. I’m not a religious person. I was raised Catholic but I don’t believe in organized religion (for myself; for others, I believe in freedom to worship as they want and hope they allow others the same freedom) or God or an afterlife. I believe in the here and now, in doing the best we can not for some promised reward later on but because we are part of a common humanity, linked, whether we like it or not (or admit it or not) to every other living thing on this planet, including people who live differently. I am not a Buddhist, but that’s what I relate to most. One of the most useful meditations–and I generally meditate while running because I am terrible at sitting still meditation but running clears my mind in a wonderful way–is loving-kindness meditation.  You start with sending loving feelings towards yourself, then work outward, beginning with people you find it easy to love and ending with someone you’re having problems with.

Let me tell you, the practice of loving someone who is causing you pain, whether intentionally or not, is so valuable. Sometimes life drops that situation in your lap and you don’t even have to go looking for it. We humans can get caught up in the idea of “winning” (if you have more than one child you’ve witnessed this a hundred times a day; my two youngest are struggling with it right now). What is accomplished, though? Letting go of that idea of getting the best of someone is freeing. I am disheartened and dismayed and overwhelmed by all the hatred floating around this country right now. It is worth reminding myself, always, to start from a place of love and common humanity, even if it seems like so many people are spitting on that idea.

So what is the why of anything in this life? Love. Because love. Carry on with love. xo

amyhoodarts at HERE. a pop up shop

HERE square

I’m back to selling, finally! I’ll have zip pouches and stamped notebooks at HERE’s next pop-up shop. I first learned about this shop in the fall, and I visited a few of the pop-ups before submitting, both to get a feel for what they carry and to see whether they already had items similar to mine. Their shops always have a really great vibe, with a great mix of items that are predominantly made by local artists. It’s a comfortable place to be, full of pretty things. I’m happy to be included this time around and excited to be stepping more into the great, vibrant creative community here in Annapolis, even ever so cautiously. I spent last week stamping, embroidering, sewing, and tagging in preparation. After the pop-up is complete, I will (finally!) open my Etsy shop again, after having it closed since before we moved. Ahem. It’s taken me a bit to get my feet under me, I think!

If you’re local, I hope to see you there! And if you’re not, Amy & El (the owners/founders) post pictures of their artists’ lovely creations on Facebook and Instagram and will sell online.

 

Art Quiltlets: 15/52 and 16/52

I’m not behind on making these, just behind on posting. I finished last week’s on Thursday night and spent Friday chaperoning a field trip that went 3 hours later than planned. Fun times! And this week I’ve been busy sewing other things (more on that in the next post probably). Anyway, last week’s is because I’m still missing the ocean.

art quiltlet at amyhoodarts.com

I was trying to figure out for myself how to sew improv curves. I didn’t quite achieve it, so I looked to the internets for guidance and came across this tutorial, which happens to be by someone who is in the Baltimore Modern Quilt Guild! Last meeting she did a fun presentation on color. So after reading that through, I did much better with curves:

improv pieced curves at amyhoodarts.com

But…there is more to be experimented with there. I sliced it diagonally and sewed in a red strip. Than I quilted the black and white stripes. This is what it looked like after drawing the crop lines but before cutting it.

ready to crop, art quiltlet in process at amyhoodarts.com

So, just to reiterate, that red stripe isn’t sewn on top of the black and white curves. I pieced that in and it looks great! I love practicing new things.

Here’s the final quiltlet:

Movement, art quiltlet at amyhoodarts.com

*cough* Black fabric gets linty. I really like this though, and it’s going in the mental file of “things I may want to try on a much larger scale.”

As I said, I’ve been doing a lot of sewing this week, to the point where it got a bit rote. Taking the time to play for these little pieces is so important. It keeps those creative ideas flowing. And they really are the perfect size to try out new techniques too.

Art Quiltlet: 14/52

art quiltlet at amyhoodarts.com

“In the Flower Garden”

Ohhhh, this was fun. I was thinking about doing this larger, so decided to play with the idea on a small scale first. Even with the bobbin tension issues I had after switching to green thread, it was fun. (The bobbin thread snagged, so I cleaned under the presser plate and rethread, but it was still wonky, so I adjusted the needle tension, then the bobbin tension, then realized I’d overtightened, and had to go hunting for a better screwdriver to loosen….gah!) But once I was done with the green, I had some lunch and then started painting. These are acrylics, mostly liquid craft acrylics except for the green, which is heavy-body in the tube because I’m out of green liquid.

I posted this in-process detail shot to Instagram.

detail in progress, amyhoodarts.com

It was almost done at that point. I added some more color, and the butterfly, then cropped and stitched the edges. As I work with my sewing machine, I’ve noticed I’m much more free with line and shape than I am when I’m drawing. Put a pencil in my hand, and I feel pressure to be exact. It’s very hard for me to let shapes and line act as suggestions. But, perhaps because my ability to render exact and true-to-life is limited with my sewing machine, I’m more comfortable with looseness. I’m enjoying it.

Here’s a view of the back, wonky tension and all.

In the Flower Garden art quiltlet, back, amyhoodarts.com

I’ve been sewing so much! But not garments, and I have a list of clothes I’d like to sew for me and G, plus a rather generous fabric order (I don’t know what happened; I was feeling fluish and BAM!) on the way. So I need to be even more intentional with my sewing time I think to get it all in.