Category Archives: color

Art Quiltlet: 38/52

batik-flowers

Ooh, I do like this one. (I like all of them. But still.) This began as a white piece of cotton, and, using a watercolor painting in my sketchbook as a guide, I outlined the flowers using gel glue. The lines that are still white were originally protected by the glue which, when dry, acts as a resist. This process is called glue batik and is a low-tech and inexpensive way to play with batik. Once the glue was dry, I added color using brushes and watered-down acrylic paint (rather than dyeing the fabric, as you would with yardage of batik). In-process photos were shared on Instagram.

I did have some areas where the glue barrier between the two colors wasn’t thick enough, and there was some bleeding. But the blending works. Once the fabric was dry, I washed out the glue, let it dry again, and then added stitching by both machine and by hand (some very subtle stem stitch on the petals using just one strand of embroidery floss). This is definitely a technique I could use again, and larger, or as part of a larger composition.

Introducing Gallery

I’ve added a Gallery tab up top there, which takes you to photos of finished work, all of which are available (unless it says otherwise). Here’s the latest addition

"Squid," 8"x8" plus hanging loops. Neocolor and hand-dyed cottons, machine and hand stitching.

“Squid,” 8″x8″ plus hanging loops. Neocolor and hand-dyed cottons, machine and hand stitching.

I had the urge to stitch a squid–things like that happen–so I did. This is a layered reverse appliqué (stitch & slash style, except I used scissors), with the blue layer free-motioned stitched first. The blue is created with Neocolor water-soluble pastels, and the red and purple are hand-dyed. The squid’s patterning is also free-motion stitching, with hand stitching to create the eye.

I’ll continue to add pieces to the Gallery page as I finish them.

Art Quiltlet: 35/52

Playing with Curves art quiltlet at amyhoodarts.com

All three kids are in school as of this week, which you’d think would free up lots of time, but it’s not feeling that way. It’s a three-and-a-half hour stretch in the morning between wake up (to make sure my oldest is moving) and dropping off the final child. Five-and-a-half hours later, I start picking them up again. It’s about the same amount of time I had last year, except I’m much more tired and needing to go to bed much earlier, so I’m useless at accomplishing anything in the evenings. So, it’s net much less productive time.

Anyway, all that to say that even with my supposedly free days, I didn’t get to this week’s quiltlet until Thursday, finishing on Friday. My inspiration came from The Improv Handbook for Modern Quilters by Sherri Lynn Wood. I decided to try “template-free layered curve patchwork.” It was tricky at times and the curves don’t show up a whole lot at this scale, but I enjoyed arranging them and adding free-motion stitching. Here’s what it looked like before I cropped it.

art quiltlet before cropping at amyhoodarts.com

The book, which Amazon thought I’d like (so I borrowed it from the library to see) has some interesting ideas for piecing that I want to try, but I’m skimming a lot because I’m not interested in the life advice part (the subtitle is A Guide to Creating, Quilting, and Living Courageously). I think I’m content to get my quilting inspiration and my life guidelines in different places when it comes right down to it.

The year is winding down. Thirty-five weeks gone. There’s nothing like a weekly project to keep you mindful of the passing of time, geez.

Art Quiltlet: 32/52

art quiltlet at amyhoodarts.com

Back to Neocolor water-soluble pastels on this one. First I stitched the oval shapes, then colored them in and added water. (They bled a bit more than I intended.) Once the piece was dry, I added the running stitch with hand embroidery, cropped, and finished the edges. Hmmm I don’t know, it’s a departure from anything I usually do. I’m still deciding how I feel about it.

Art Quiltlet: 30/52

Mountains art quiltlet at amyhoodarts.com

I finished the year’s thirtieth art quiltlet on Saturday night, so it had to wait until today to post. It’s hard to do justice with a photograph, but here we are. I bought myself some new art supplies this week, long-coveted Neocolor II water-soluble wax oil pastels (except I bought them at my local art supply store, and how I love having one!!). To create this, I used a watercolor painting I made a while ago (I didn’t date it, shame on me), which was inspired by a photo in the National Geographic Instagram feed, which I can no longer easily find because if there’s a way to sort favorites on IG, I don’t know it.

watercolor at amyhoodarts.com

To create the art quiltlet, I laid dry color down with the pastels, then blended with a wet paint brush. When it was dry, I made my quilt sandwich using flannel rather than batting, and added the stitching. At that point I decided to add a little more color in some spots with the pastels. More drying, then I was able to crop and finish.

I love the pastels. I’ve been wanting them to use with fabric for a while, but they are a little pricey. However, a week of triple-digit heat indices and driving round and round Annapolis dropping people off and picking them up, and I decided I was worth $30 pastels.

Since this is quiltlet number thirty, it’s time for another group-of-ten photograph. Quiltlets 21-30:

Art quiltlets 21-30 at amyhoodarts.com

I’ve been asked more than once what I plan to do with them all when I’m done. I don’t have a plan. Right now they’re in an overflowing box (I need a second box). The point of this exercise was never about the end product. It’s about the process of committing to making a small piece of textile art every single week and seeing where that leads.

Art Quiltlet: 28/52

quilt scraps

This is just a quick catch-up post. This quiltlet was completed on time last week but never posted. It uses scraps from a quilt I’m making to donate to a Baltimore Head Start location through Baltimore Modern Quilt Guild. It’s a cheery quilt using warm and cool color groupings. I had a vague idea in this quiltlet of mountains and sunset. Can you envision it?

Art Quiltlet: 27/52

Scrap fabric art quiltlet at amyhoodarts.com

Well, this was pure experimentation. I wanted to try sandwiching scraps in between dissolve-able stabilizer to make “fabric.” Once it’s sandwiched, you stitch all over (that’s the white stitching), dissolve away the stabilizer, and voilà.

Once I had that (rather flimsy, and with some holes) piece of scrappy fabric, I layered a piece of cream fabric underneath, then made my regular quilt sandwich and free motion stitched some black. The arrangement of bold colors is fun, I think, and I got to experiment with this method, which has been intriguing me for a while now. And I don’t really have anything more to say about this one!

Art Quiltlet: 23/52

Art quiltlet inspired by Mondrian, amyhoodarts.com

Mondrian is one of my favorite artists. Although I do like his earlier work too–and it’s fascinating to examine the evolution of his work, and how he reduced things to lines more and more until that was where he settled and stayed–this piece is obviously inspired by his well known grid-like works using black, white, and primary colors. The first time I saw a Mondrian in person I gasped out loud. (Imagine being rich enough to stare at your own every single day?!) The orderliness of a Mondrian is something I find very calming. This week, I needed some soothing grids. Thus, this quiltlet.

I began by quilting straight lines before I even began sewing on the black and primary pieces. Since I didn’t want thread color detracting, I sewed on each piece with matching thread, which made for lots of rethreading of my sewing machine to make this little piece! But worth it. And the back looks cool too.

Art quiltlet inspired by Mondrian, back, amyhoodarts.com

{Have you noticed? We are almost halfway through 2016. Wow.}

Reading, Doing, Making, not Blogging

I’ve sort of neglected this space this month. Partly it’s that I’ve been reading and researching, trying things out, making things (more talismans, mainly), preparing and teaching, and by the time I get to the end of the day I never get around to sharing. Partly it’s the January-almost-February doldrums…despite what I’ve just listed, most days it feels like I haven’t actually accomplished anything, or finished anything. This feeling is, I’m sure, exacerbated by the continuing limbo of not having sold our house yet. There are some things I’d like to plan and such and they really do need to wait until we are where we’re going to be. Doldrum-y limbo, that’s uncertainty in January all right.

Anyway, some photos of some things, in reverse order of occurrence.

watercolor and ink mandala at amyhoodarts.com

A mandala, completed this week, first doodled in ink and then colored with watercolor. A very soothing thing to do.

Last weekend I decided my earrings needed to be out of crowded jewelry box and somewhere I could see them. After finding this on Pinterest, I decided to keep my decorative metal sheet whole and hang it on the wall as is. My earrings would never fit in an 8×10 frame.

earring holder at amyhoodarts.com

I might still space them out a bit–I have the room. I also have room to add more. Let me tell you about me and earrings–before I had kids, I wore earrings every day. I really liked them, and while I never wore overmuch makeup or jewelry, earrings were a part of my outfit. Then I had kids and years and years of small people understandably attracted to shiny dangling things, perched on my hip within grabbing distance, so I stopped wearing them. So many years of this that I thought my holes had closed up. But no! A couple of years ago I decided to reclaim my earrings and even buy more. It’s a small way of getting back to that pre-mother Amy and I enjoy them. My kids do, too, because, as my daughter said, when they’re not sure what to get me for Mother’s Day or my birthday, they can always pick out earrings. My mother-in-law has given me some gorgeous pairs as well. Liking earrings makes it easy on gift-givers! It’s a win-win.

On to teaching… I’d love to have a studio/classroom space of my own one day where I could offer classes. At our last class (we didn’t have one this week because Monday was not a school day), we talked about different types of line and Piet Mondrian. When I showed a Mondrian and asked what sort of feeling it gave them, one girl said “quiet.” Yes, I feel that way about his paintings too. The orderly frame of lines, the limited palette–soothing. Then we made tape-resist paintings using primaries and black (ie, Mondrian’s palette). I showed them several examples of tape-resist paintings. One I’d done as “inspired by” Mondrian. Another, my son had used the tape as roads on a map. Another showed an abstract design made by the tape. I told them they could be inspired by Mondrian but they could also do their own thing entirely, because it’s their project. I’m very clear on this: I’m not out for cookie-cutter projects. And they all had ideas. One boy wanted to recreate the Union Jack, so he got an atlas to consult, used the tape to form the lines, painted blue, then filled in the tape lines (after peeling) with red. Another girl placed four pieces of tape vertically, painted the whole paper black, and ended up with a striking and minimalist black and white painting. I am always impressed with kids’ ideas, always.

These are my kids’ paintings, which I can share here. G was Mondrian inspired but in many directions.

tape-resist in Mondrian's palette at amyhoodarts.com

N did his the next day, since he’s on duty as a helper (and an excellent one) during class time.

tape resist using Mondrian's palette at amyhoodarts.com

He painted white on white, too, which might be observable if you click right on the photo–I’m not sure. It’s quite an effect in person.

So, that’s more or less what I’ve been up to. I run when I can to try to combat the irritability that seems to be cropping up (see: doldrum-y limbo). I’m reading books on all sorts of topics for the next issue. I’m getting ready for a quick scouting trip down to Maryland. I’m driving kids to school and appointments and activities and feeding them all the time. You know. The usual.

Postcard Idea: Color Collage

color theme postcards copy

This week, in support of the Summer Mail Art Swap, we’re sharing the simple idea of making a color collage postcard. The first thing to do is choose a couple of main colors to focus on and gather materials. We have a cigar box of small paper scraps and an expanding file folder of larger scraps and collage papers that are more or less sorted by color. That makes gathering colored papers easier.

I chose red and yellow, so I looked through our papers and chose some I liked. I used a 4×6″ piece of prepared cereal box as my substrate.

Go ahead and gather more paper than you'll need. It's good to have choices as you work.

Go ahead and gather more paper than you’ll need. It’s good to have choices as you work.

My son chose orange and green, and my daughter chose blue and pink. Each selected the papers they wanted to use and arranged them–without gluing–onto their postcard until they were happy. I glued some things down while still arranging. Work in whatever way suits you. We glued our pieces down using gel medium and an old paintbrush. I brushed a final coat of gel medium over all my pieces to seal them down. Make sure all the edges are secure so nothing gets caught in the mail sorting machinery.

color theme postcards

My daughter’s blue and pink postcard is on the top left, my yellow and red one is on the top right, and my son’s green and orange one is on the bottom. This is also a fun way to experiment with different and perhaps unusual color combinations.

There’s still plenty of time to join in with the mail art swap. All the details are here.

Other posts in this series:
Postcard Substrates: What to Use
Postcard Idea: Found Poetry
Postcard Q + A