“’The teaching of drawing is the teaching of looking.’ A lot of people don’t look very hard.” –David Hockney.
Before we go any further, you need to promise me you’re not going to start comparing. Don’t compare your artwork to mine, your kids’ artwork to my kids’ artwork, or your work to your kids’ or your kids’ work to each other. Remember to start where you are. Also remember that I’ve been doing this with my kids for a while now. We’re all comfortable with the process. Brand new things often feel uncomfortable, so if you or your kids are feeling awkward, it’s okay to acknowledge that. Like anything else new, it’ll feel less awkward the more you do it.
Okay, then! Let’s get started. We’re going to start not by trying to draw but by trying to look closely, with a pen or pencil in our hand. Because I find natural objects so interesting to draw and because I am craving spring, I suggest finding a Growing Thing to serve as the focus of your observation. If you can head outside, wherever you happen to live, and find a dry patch of ground on which to sit, and it’s not so cold or windy as to be distracting, do that. If you have houseplants, pick one. I am death to houseplants, so I bought some tulips and pussy willows at the supermarket. We have so many collected natural treasures on our table that some of those found their way into the drawings as well.
As for art materials, we used sketchbooks, but loose drawing paper and even regular old printer paper will work just fine. I gathered a selection of sketching pencils and markers. I love my Pitt Artist Pens, but a fine-point black Sharpie is a good alternative, and it’s cheap and easy to find. (Also, I don’t share the Pitt pens with my youngest, since she still presses down too hard on the tips for my liking. She uses Sharpies.) If you don’t have sketching/drawing pencils, there’s nothing wrong with using a regular #2 pencil, but I suggest taping over the eraser. If you have it as an option, you’ll want to use it. You’ll get hung up on getting everything “perfect,” which will just interrupt the whole process of looking at what you are drawing. My kids decided they wanted to use colored pencils too, so we added those to our pile later.
Start out by looking at your drawing item together. What do you notice about it? Here are some of the observations my kids and I made as we drew:
8yo, drawing pussy willows: I’m shading the puffy things in to make them look furry. Do you notice these have a furry texture?
4yo, drawing a tulip: Is the green the flower too or just the yellow and red? [Answer: The green she was looking at was the leaf; the stem was green too.]
Me: The edge of this tulip looks like a clam shell the way it comes together in the middle.
11yo: This [the hardest pencil in the group] is horrible for shading. (For more information on soft/hard pencils, see this post; I’ve updated it with more pictures.)
Me, to 8yo, as he struggled to draw a junebug’s wing: Look at the shape of it; it’s not symmetrical. The bottom is a smoother line but the top goes up and then tapers down. Start with the overall shape and then fill in the details.
In Drawing on the Right Side of the Brain, author Betty Edwards explains that we have built up a shorthand of sorts—what a hand should look like, a flower, a tree, a house—and when we sit to draw, our brain supplies these symbols, and we end up drawing what we think we see rather than what is truly there. I remember my first drawing class that included a live model; the professor pointed out how the proportions of the human body are not at all what we think. For example, a hand is much larger than we usually draw it; in fact, a hand is extremely odd looking if you really investigate it.
I’ve come to think that the true value in drawing isn’t the image itself, it’s that a drawing practice teaches you to really look at something. Of course the ability to recreate what you see can be extremely useful. You can use this skill to make notes on a nature walk so you can compare what you see (a flower? a leaf? an insect?) to a field guide later on. You can use it to sketch out the idea in your head to help you get it across to someone else—or even to help you figure out exactly what you’re thinking. But the sketch on the paper is only a small part of what you’re doing. The first part of drawing is looking—looking closely.
If you feel yourself becoming discouraged by your perceived inability to draw, try to reframe it: You are learning to really see. And remember that as with anything else, if you practice, it will begin to get easier. You will learn to truly look closely. You will begin to see what is actually there rather than what you think is there, and that is a valuable skill to have in life whether you become an accomplished sketcher or not.
Drawing Lab For Mixed Media Artists: 52 Creative Exercises to Make Drawing Fun: My kids and I (together and separately) have enjoyed many activities from this book; flip through and pick out something that interests you.
Drawing on the Right Side of the Brain: Presents an approach to drawing designed to trick the brain to leave those preconceived notions behind.
Take it Further:
Blind Contour Drawing: This post at the Camp Creek Blog describes a method of drawing that involves only looking at the object, not at all at the paper.
Share Your Work:
I’ve created a Flickr group, where I’ve added more photos from our drawing session, and where you can share photos too, if you want to, or ask questions in the discussion section…whatever seems useful and helpful to you. If you have any questions please leave a comment or email me at amyhood AT amyhoodarts DOT com, and I will see you again in a week. Happy drawing!