Monthly Archives: June 2011

Hot Rocks

Our tray of cooling hot rocks

(I’ve seen this on the web here and there, but I first saw it in the fabulous book Summer Crafts by Marjorie Galen, which I bought in a used bookstore two years ago. The book was published in 2005, and Galen says as far as she knows, her friend Elizabeth’s family invented hot rocks.)

Materials: Rocks–larger and flatter are easier; peeled crayons; oven; nearby bucket of cold water (my plan-ahead self decided this was necessary, in case anyone accidentally touched the rocks)

Following the directions in the book, I preheated the oven to 350, lined a cookie sheet with tin foil, and set up my rocks (I did 8 this first time, two for each of us). Meanwhile, the kids began to peel some of our older crayons–I gather this is so as they melt against the rock, you’re not running up against the paper. Once the oven was hot, I baked the rocks for 15 minutes while we continued to peel crayons. When the rocks were almost done, I sent the kids outside with the crayons–I’d already brought a bucket of water to the patch of shaded driveway–and I met them with the tray of hot rocks. (Obviously, you want to place the rocks on a surface that won’t get burned.)

The rocks are hot. I made sure all my kids understood that they’d get burned if they touched them. G is two, and she did fine, but really, use your judgment with your own children.

I had the kids sit down, with the crayons in the middle, and using my oven mitt, I placed a rock in front of each of them. Then the magic begins.

“It’s melting!”

“This is so cool!”

“This is so cool!!!”

I agree. I colored two rocks too, and it is so cool. And you can just keep adding wax and layering. Our rocks didn’t lose their heat before the kids were done experimenting.

The bucket of water did get a few uses, when fingers accidentally (or not so accidentally) bumped (do you see that inquisitive finger in the photo above?), but nobody got seriously hurt. It was definitely handy having the water there, though.

Look at those gorgeous rocks!

Peek-a-boo Paintings

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Materials: Drawing and/or painting materials of your choice; drawing or watercolor paper, depending; acetate the same size as your paper (we used this); tape; paint for the acetate–this can’t be too watery–we found liquid acrylic and gouache worked well, tempera not so much

The first day of summer vacation dawned grey and misty, giving us the perfect opportunity to get into the studio after breakfast and add one more activity to the Eric Carle birthday celebration. Several folks have created beautiful painted tissue paper collages. We painted tissue paper many months ago, but my boys really didn’t want to cut their creations. We are acquiring a nice pile of textured, painted, and printed papers for collaging with some day, but meanwhile, I knew our Eric Carle-inspired activities would go in another direction. Earlier this week we were inspired by Dragons, Dragons, and today we looked to Mr. Seahorse.

Mr. Seahorse is another of our favorites. If you’re unfamiliar with it, it follows a seahorse as he interacts with other underwater species in which the males help care for the offspring. But what we really like about it is that some of the pages are transparent, so you’ll have a fish that’s hiding, and then you turn the clear page and see him in full.

From Eric Carle's Mr. Seahorse

I was reading it to N earlier this week and I thought, Hey, we could do that! As I explained the idea to the boys, though, I realized it’s a rather complex idea. You need to think about your artwork in layers–what will be underneath? what will be on top? It’s a different way of looking at it, to separate the full idea into parts. But the boys were ready to try.

We knew the top picture, on the acetate, would be painted, but we had to think about how to do the underneath. V wanted to do watercolor resist, but I thought oil pastels would smear against the acetate, so we used good old-fashioned crayons.

V decided to draw fish, and N wanted to draw a monkey–he used some of our story books as a reference.

After we worked with crayons, it was time to add liquid watercolors.

Then we let the bottom layer dry. Next, I placed a sheet of acetate on top of the first picture and used a couple pieces of clear tape to hinge it on whatever side the kids chose. This way, we could paint our covering picture while it was lined up with the bottom image–much easier that way.

Here, V is checking on his work in progress. He chose to use gouache paints on the acetate.

G joined us too, of course. She loves to paint. N, G, and I used liquid acrylic.

So as not to completely overload the post with photos, I put all our finished-piece photos together–click to embiggen. (And even though I didn’t use flash, the ceiling lights are bouncing off the acetate–so sorry, but it was wet outside!) From left to right, we have V’s ocean scene (seaweed for the top layer), N’s forest scene (that’s a big leaf), G’s, um, lots-of-paint, and my big flower.

And now the peek-a-boo: V’s fish, N’s monkey, my bumblebee, and G’s fish.

I completely loved this project, and I’m not sure why we didn’t think of it sooner, except maybe because we haven’t had the acetate in the house all that long. It was so much fun to do, and the results are pretty fun, too.

Check out more Eric Carle-inspired activities at the link below!

(Also included in the Read, Explore, Learn link up.)

Inspired by Mr. Carle

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Kate at An Amazing Child is hosting a week-long celebration of Eric Carle‘s birthday. We are lucky here not just to own and have read many, many of Eric Carle’s books, but we’ve also been to visit his fabulous museum of picture book art several times. I’m not sure what I like best about the museum–that it includes a great Reggio Emilia-inspired studio, that it contains a wonderful bookstore, that it has the best story-time (in its on-site library) that I’ve ever attended, or that it places picture book art in its proper place as a valid art form, not just there to prettify the words but to truly be part of the story. Isn’t it good I don’t have to choose?

(Oh! Look what I just found! The Carle Museum’s art studio blog is finally up! I’d heard in the fall they were planning on starting one and here it is!)

So, back to our Carle-inspired project. If you’ve visited here before, you know my kids range in age from two to nine, our projects are open-ended, and I try to make art alongside them whenever I can. So when we thought about Eric Carle, we thought about one of our very favorite books–and yes, we enjoy the caterpillar book, especially G, but it’s very much a toddler book. Dragons, Dragons, though, is a book for all ages, full of vibrant Eric Carle portraits of mythological animals to go along with a selection of poetry on the same. He also has another, Animals, Animals, which we haven’t read yet, that contains animals you can more easily see. (We don’t like to say that mythological animals aren’t real; just because you’ve never seen one doesn’t mean it doesn’t exist!)

So our thought was to collage and/or paint an animal–mythological or not–and perhaps (this part was my idea) write a poem or find a poem to go along with it. The boys liked this idea, so I gathered my scraps of colorful paper, glue, paints, paper, and we got to it.

V wanted to paint a hawk, so he found our Peterson Bird Book and looked up hawks. G selected a field guide, too, ending up with the one on rocks and minerals. (It’s a first guide, and I think she feels like the smaller field guides are clearly hers.) N decided to look at the phoenix page in Dragons, Dragons, and I was inspired by the snake that lives under our front step.

G tore up some paper and used her glue stick to stick them to a large sheet of paper, then asked for some paint and picked up this scrap paper that had some holes punched out of it and used it as a stencil to paint a scrap piece of vellum underneath. I was pretty impressed that she had this idea on her own. When she was done with that, she painted another large sheet of paper, telling me the right side was the rock, and the left was the mineral.

N wanted to collage and then paint.

V painted one hawk with liquid acrylics and the second with tempera. He struggled, and I reminded him that he was using a scientific illustration as his guide, and it was going to be challenging to copy that exactly. I also pointed out that my snake did not at all look like a field guide-worthy illustration of a snake! I’m pretty impressed with V’s finished paintings, and he got the field markings in there, too.

V's red-tailed hawks, acrylic on left & tempera on right

My collage & gouache snake

V declined to write a poem. Here’s my snake poem:

The snake
Takes a break
A slash
In the grass
Flash
He disappears
Under the stairs

N decided he needed a whole story to tell about his phoenix, pictured here with the page he referred to in Dragons, Dragons.

His phoenix is holding a treasure chest, saving it from the burning castle that has been attacked by knights–I think. The story is in progress.

And here are G’s finished works, first her rock and mineral painting and second her vellum piece (which got thoroughly soaked–on purpose–with painty water, and I’m surprised it ever dried!) and her bits of collage.

All in all, I think Mr. Carle would be pleased with the various approaches! We have one more Carle-inspired project in mind; if we have time to do it before Saturday (my kids are STILL in school, so we might not) I’ll post it as well.

Thanks, Kate, for inviting us to the celebration!

(Also included in the Read, Explore, Learn link up.)

Process to Product: Bookmarks for Teacher Gifts

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We’re not all about process around here. Sometimes, we need a handmade gift. I do try, though, to include as much chance for open-ended creativity as I can, and I like for the boys to give their teachers something a little personal to go along with the gift card. Many, many people contribute to my children’s day, so we also need an item that we can make many of. For the holidays, we made ornaments, and for the end-of-year gift, I had the idea of making bookmarks.

Materials: Watercolor paper, liquid watercolors, salt, hole punch, stamp (optional), ribbon

I explained my idea to the boys first–they could paint a background on the watercolor paper, sprinkle salt for that neat textured salt effect, and when it was dry, I’d cut the paper into bookmark-sized strips. Then, they could stamp the bookmark with the school logo (I detail how I carved the stamp here), we’d punch the ribbon holes, I’d get them all laminated at Staples, we’d add the ribbon and tra-la, handmade and school-oriented bookmarks.

They both said this was fine. If you’ve read my manifesto, you know I don’t believe in altering someone’s artwork in any way, so I was very clear–we’d have to cut the painting, were they okay with that? It’s meant to be a background sort of painting, not a specific image, but still, it will be cut. Okay? Okay, they both said.

G, of course, joins in on all the projects, so she’s painting with liquid watercolors too. I gave each of the kids a 12×18″ piece of watercolor paper, which is a good thing. (A bit of foreshadowing there!) When the paper is fully painted and still wet, sprinkle some salt. As little or as much as you’d like–anything that doesn’t dissolve will brush off when the painting is dry. G made sure we had no salt leftover from what I’d poured into the dish.

Once the paintings were dry, N became adamantly opposed to cutting his up.

V’s salted painting

Tears were shed. Right away I said we didn’t have to cut his up, but then he decided he didn’t want his brother’s cut up, either. V, on the other hand, was laid-back about the whole thing. I kind of enjoy cutting up things like this, because then each piece becomes its own smaller, unexpected, found composition. Luckily, cutting a 12×18″ piece of paper into 2×6″ bookmarks leaves several left over.

N’s salted painting

Once they were cut, V inked up the stamp I’d carved and stamped each one, and after they were laminated, I gathered all my ribbons and he selected which color would go on which bookmark.

Who can’t use a bookmark? Well done, V. N has decided to draw a picture for his teachers (they’re getting bookmarks too; we have enough), and I respect his refusal to cut up his artwork, even if it was originally made with that purpose in mind. Becoming comfortable with giving your art away is a process in itself.

(Guesting)

(You Can) Carve a Stamp

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(Originally published at Salamander Dreams in June 2011.)

Earlier in the week I carved a stamp as part of our end-of-year teacher gifts.

It’s so easy and satisfying that I wanted to share the process. There are tutorials out there already, I know, but I carved my first stamp using the instructions in the book Print Workshop, and it was a fair bit of a hack job until I managed to translate the words into action, so I thought I’d post a picture of exactly how to hold those carving tools. But I’m getting ahead of myself…

Materials
Speedball Speedy Carve block (you can cut this into smaller pieces easily using a straight edge and x-acto knife); set of linoleum cutting tools (I bought mine at a local craft store using a 50% off coupon); pencil; paper; bone folder (optional, but it works best for burnishing your image onto the block)

Process
The first thing you need is an image to turn into a stamp, obviously. You can use your own doodle or something you’ve printed out or photocopied, as long as available for personal use (I am so not getting into copyright here). I’m showing you an example of both. I prefer to turn my own doodles into stamps, because how fun is that? But for the teacher gifts, I wanted a stamp of the school logo, which looks like pretty basic clip art to me. I printed it out and went over all the black areas with pencil.

If it’s your own doodle, once you have something you’re happy with, go over the lines more darkly with your pencil. This is because next, you’re going to transfer those pencil lines to your carving block. (I cut mine into two-inch squares to make both of these stamps.)

Here’s my compass rose…

Lay your image face-down onto the block and burnish–that means to rub firmly–the entire area with the bone folder, or your fingernail if you don’t have one. When you peel off the paper, your image will be on your block, in reverse, which is exactly what you want, because your stamped image is going to be the reverse of what you carve.

…and a little salamander I doodled.

Now you’re ready to carve. Begin with the shallowest, narrowest tip for your tool–#1–and carefully carve around the outlines of your image. (For the salamander, I’m ignoring the interior lines–those were just there to help me draw, but they’re not getting carved out.) Hold the tool at a 45-degree angle and carve away from yourself. The tool is going to gently scoop the block away–I have to pause periodically and clear the peels out of the tool. Start shallow and gradually go deeper, and when you need to change direction, it’s easier to rotate the block and keep your hand steady.

I was doing this at night under daylight bulbs, hence the shadows. Also, I had to take the picture with my left hand, but you get the idea. Here’s another view.

You can see that this stamp has more detail than the salamander. The salamander is easy–I’m carving around it, because I want it to stamp as a solid. But the compass rose has some white areas and some dark areas in the interior–which do you carve? You carve out the white areas, because you want the dark areas to pick up ink. So I’m carefully carving away each of those open triangles so they don’t pick up any ink and the image prints correctly. (Ultimately, I carved a second version of this stamp–that’s the finished one at the top of the post–because I decided it made more sense to cut around the compass rose with an x-acto knife and then carve out the interior portions. Otherwise, I was losing my outline edge and it was just going to look like floating triangles!)

For the salamander, I used mostly the #1 tip–those bits between the legs and body are tight. Can you see where I carefully carved out the space between the front left leg and the body?

When it looks like I’m close to done, I start testing with some ink.

You can see all those lines I need to trim. Eventually I cut close around the salamander with the x-acto knife as well.

For bigger stamps, I might leave them as they are, but for these smaller stamps, I glued each of them to a cork. Cork, whether repurposed (if you’re a wine drinker or know someone who is) or bought, makes a nice handle.

Carving a stamp is just one of those processes that is much easier than you think–you mainly need patience and a steady hand–and results in something that seems so impressive, at least to me. I don’t know why I’d ever buy a stamp again when I can just make whatever I want at home.

Also, it’s easy enough to do around the needs of kids–doodle when you can, carve a bit here and there (just make sure to keep those lino-cutting tools out of reach–they’re sharp!), and you can fit a stamp into the nooks and crannies of the day, if you wanted to. There’s nothing toxic, so you can carve a stamp while your kids do their own creative thing nearby. While I carved the compass rose, my daughter decorated a sheet of paper with smiley face stickers. Just be prepared for lots of little pink shavings, so carve your stamp on some newspaper so you can fold it up and easily tip all the mess into the trash.

Happy stamping! Let me know if you give it a try, or if you have other tips to share.

The Importance of the Proper Tools

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I’ve always believed that kids deserve as good-quality art supplies as we can manage. This doesn’t mean the most expensive, but the tools and supplies we provide for our kids shouldn’t lead to frustration. The pencils and crayons should draw smoothly, the pastels should feel good against the paper, the paper itself should hold up to whatever’s being applied to it, and for goodness sakes, none of the teeny tiny paintbrushes and the watercolors that stay dry and colorless no matter how much water you add to the measly little block. (I always wondered, as a kid, how famous artists created such amazing watercolors. Learning about tubes of watercolor paint was a revelation, I tell you.)

Many products and supplies geared towards children are just not up to the task of carrying out the child’s ideas. But when I notice I need, I try to fill it; when a child has a desire, I try to make sure he or she can carry out the task. I don’t want an idea to fail simply for lack of the proper tools.

Not too long ago I decided to try sewing while G kept me company at the art (and sometimes sewing) table. I hadn’t tried this in a while, but I was making an apron for her and she was invested in the success of the experiment! She played with buttons, looked at some sewing books, and then wanted to play with, and then cut, some fabric scraps. I have a pair of fabric scissors set aside for this use, but they’re much too large for small hands, so I gave her some scissors from the art table. But cutting paper dulls scissors, and it was hard work to cut the fabric. She was very patient with it, but I decided I needed to get her scissors with blades that were sharp enough to meet her needs and desire.

After some research and asking around, I decided to try to find Fiskars 5-inch blunt-tipped scissors. Unfortunately, my local Joann’s (where the scissors were 50% off this week!) didn’t have those exact scissors, so I bought a 5-inch pair with slightly sharper tips than I wanted, and the 7-inch student scissors, which are also blunt-tipped. I’d thought the 7-inch ones might be too long, but they actually are just fine.

Can you see the small smile on G’s face? When we tried the scissors and she realized how easy it could be to cut fabric, she was so, so pleased. So satisfied. Like I said, she’d shown remarkable patience with the dull scissors, but I have a feeling using scissors that cut so easily was a revelation akin to my watercolor discovery. It is amazing to realize that something you want to do doesn’t actually have to be difficult.

We worked on how to safely hold the fabric and the scissors. (Her fingers are a little closer than I’d like here, but she was careful the whole way through.) I made sure she was always cutting away from herself, not towards her fingers or her body, and I didn’t take too many pictures because I was more concerned with holding the fabric to make her cutting work easier. She was intent on cutting small pieces, and then she needed a place to put them.

She was happy for quite a while, cutting up scraps and putting them into a glass jar. I think I’ll keep the smaller, sharper scissors for me and the student scissors will be hers. They enable her to do what she wants to do.

In the course of asking around to figure out what sort of “real” scissors would be appropriate for a two-year-old, I know I ran into some who disagreed with the idea outright. Here are some things I considered:

* This is not G’s first experience with using scissors. She’s been experimenting with cutting paper for a while now.

* The desire came from her–she had a plan and a need, and when a child (or anybody else) wants to do something, that person is likely to be invested in learning how to do it safely.

* I’m willing to sit with her and take the time to show her how to use the tool safely and supervise her at all times.

And, of course, respect–I respect her needs and desires and recognize it’s my job to help her fulfill them to the best of her ability. G, being the youngest of three, has always done things a bit ahead of schedule, and I’m not saying every 2 1/2 year old is ready to cut fabric with sharp scissors. I am saying that it’s so important to know the kids we are working with, provide them with the best and most appropriate tools that we can, and never underestimate their abilities.

(G, happily modeling her new apron!)

Seaweed Printing

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N wanted to try printing with crabs and seaweed, remember? So we gave it a try before the crabs completely decomposed–as it was, they were pretty stinky! (I’m going to repeat this here: The crabs were dead when we found them, I said we shouldn’t bring them home, but somehow, a few ended up in the bucket.). We were using Irish Moss, which has a definite shape which seemed conducive to printing (versus some of the grassy spready kinds of seaweed). I gathered some copy paper, small squares of watercolor paper, and large, heavy drawing paper, so we had some choices. The kids decided on liquid acrylics, and we began to experiment.

Somewhere under G’s hand is a piece of Irish Moss! I was the only one who had consistent success printing the seaweed. V tried printing the crab, but it really didn’t work (and then it began falling apart, ew!). G enjoyed just painting the crab without printing it, and I tried to print the underside of the carapace, but as I was painting it, a leg fell off. (It’s best to be amused by these occurrences…) V continued to work on printing with the seaweed, but N moved fairly quickly into using a large piece to apply paint to the paper.

The end result was very interesting:

V also decided to make some paintings that way:

I had the most luck with making actual prints:

I chose flatter pieces of Irish Moss and, after placing the painted side on the paper, I covered it with a piece of copy paper and smoothed it quite flat. I think we may have more success with this if we press the seaweed first; Action Pack 4 has simple instructions to make a flower press and I think we’ll bring one to the beach with us and see if it works with damp seaweed.

There’s nothing wrong with experimenting to see what happens, and we’re open to trying things out without being sure of the final result. Using the Irish Moss as a sort of paintbrush was satisfying in itself, and we’ll carry over what we learned if we try to make prints with seaweed again. We’ll keep our eyes open for large, flat pieces, too.

Have you printed with seaweed (or any other challenging items)? What did you learn?

Working With Found Materials

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I recently purchased Beautiful Stuff! Learning With Found Materials by Cathy Weisman Topal and Lella Gandini. This is not a how-to book; it’s a documentation of how the authors and teachers worked with early childhood students, in a Reggio Emilia-inspired classroom, collecting and exploring found objects. As the authors say in the preface,

Rather than focusing on the creation of products, this book is based on observation and recording of children’s and teachers’ processes.

Fabulous. That’s what I try to do, too. I bought this with our natural collections in mind–mostly rocks and seashells–although the book covers all found materials, mainly recycled, and not just natural ones. Our collecting really ramps up in the summertime.

kids + nets + salt pond = summer as it should be

Documenting is an integral part of the Reggio Emilia philosophy. Here, the authors share the process of collecting and organizing the materials, exploring them, and working with them.

The kids are involved in every step. The first chapter begins with the authors acknowledging that it’s “crucial” to involve the kids and parents right from the beginning, thus with the collecting. Anyone who spends time with children knows they are natural collectors anyway. N picks up rocks everywhere. I find acorns in pockets, sticks on the floor, and G’s buttons absolutely everywhere.

We did not collect these jellies. We just observed them and let them go.

The kids in the book collect, clean, and categorize their materials. They spend time getting to know these items. How many ways can you classify something? They sort by material, by color, by shape. They work with them in temporary ways and in more permanent ways. They re-create self-portraits using found materials, they create 3-dimensional pieces, they study blue and circles and metal, with materials and through drawing and in paint.

The latest haul, rinsing in fresh water

It’s impossible for us to visit the beach without bringing back treasures, and we visit the beach at least weekly in the summertime. (The crabs in the left-hand bucket, by the way, were dead when we found them. They were supposed to be left behind, but G slipped them in.) On the way home, N was considering what we could do with some of our items–we can make rubbings of the Irish Moss, we can try printing with the underside of a crab (although, he pointed out, the paper might smell bad afterwards), we can make rubbings of scallop shells, with all those wonderful ridges.

Beautiful smooth purple piece of clam shell

I also collect at the beach, and I’m fond of the small polished pieces of broken clam shell. This visit, I found several purple pieces. (The bits that became the most valuable wampum, N pointed out. See here; scroll down to #9.) Aren’t they beautiful?

The main idea to take away from this book, I think, if you’re looking for just one, is that collections are not necessarily meant to be displayed and looked at, or, alternately, turned into some end product in order to have value. They can be living, breathing things, to be touched, to be rearranged, to be worked with. We have, literally, buckets of quahog shells, and I’ve been thinking they need to come inside and take their place on the shelf next to the tree blocks. Some of our rocks need their own basket on the play shelves as well (some live in the sandbox). Some items (oh-those-purple-pieces!) may become works of art to be worn; others may find their way into collages or sculptures; others we may love so much we give them a place of honor on the shelf for a while. But the best collections of found items, I think, are dynamic, just like the children who collect them.

Note: This particular beach is a barrier beach. We found most of the rocks and clam shells on the ocean side; we found living (and dead) crabs and jellies, as well as oyster and scallop shells, in the protected salt pond. It’s a fantastically neat place.

Planning Ahead

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Even though my kids have three weeks (too much!) of school left, our minds are on summer. Every summer (and family vacation, and holiday season) I check in with everyone in the family to see what we all want to do.

Bubbles may be simple, but they still captivate my oldest--and me, too!

This works for us for so many reasons: it takes all the pressure off of me as the family planner; it ensures I’m not thinking X is something necessary when really the rest of the family is just so tired of doing X; and it helps us make sure everybody gets to do at least some of what they want.

You see and I saw. Then I see and you saw.

Summer is special to me. I don’t particularly enjoy winter with its dark, cold, snowy, icy days; I operate like a solar cell in the summertime, soaking up what I need to make it through February. Luckily, we live about ten minutes from the beach, and we’re surrounded by beautiful places to visit and explore.

We don't even have to leave our yard to see loads of cool critters, like this guy.

So. We’ve begun our summer lists. (Click to embiggen, and you can see the cute little recycled notebook I’ve written this in here.)

So far we have lists labeled Go, Make, More Make (this is the non-art make), and Do. The list contains plenty of art activities, including some I’ve been waiting until outdoor season to try–I think our deck is a good place to make our own paper, for instance–but it also includes day trips, science experiments, making our own ice cream and lemonade, and lots of beach and coastal activities.

This is part of our rhythm–we get outdoors when we can, here. We take advantage of as much as the season offers, and our list reflects that. If it’s raining, I’ll go for the indoor activities, but if it’s nice, the art posts here may be slim!

If you keep your eyes open, you may find a 4-leaf clover, right in your own yard!

Some other things in the works:

I’m looking forward to the next issue of Whipup‘s Action Pack, which promises to be full of activities just perfect for summer. (You can click on the button on the sidebar to be taken right to the shop page: full disclosure, I signed up as an affiliate to help spread the word.) I’m sure our lists will grow once we get a look at what Kathreen has put together.

Also, G and I will be helping to celebrate Eric Carle’s birthday. You can, too–click on the button to be taken to Kate’s post at An Amazing Child to get all the information.

***

What about you? What’s on your summer list?

amy hood arts

Monthly Archives: June 2011

Hot Rocks

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Peek-a-boo Paintings

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Inspired by Mr. Carle

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Process to Product: Bookmarks for Teacher Gifts

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(Guesting)

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(You Can) Carve a Stamp

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The Importance of the Proper Tools

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Seaweed Printing

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Working With Found Materials

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Planning Ahead

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